Heavenly Body in the Night Sky (After Albrecht Dürer) — Screenprint on metallic card with accidental smudge, 27 x 39 cm 2017Heavenly Body in the Night Sky (After Albrecht Dürer) — Screenprint on metallic card with accidental smudge, 27 x 39 cm 2017

On Rushing Water was an exhibition of new work by Alys Jenkins and Tom Sewell drawing on the influence of eastern philosophy on their practice. The exhibition marked one year of Dye House 451.

Twenty Imaginary Standing Stones — Pencil on paper, each 23 cm x 30 cm, 2013 - 2016.Twenty Imaginary Standing Stones — Pencil on paper, each 23 cm x 30 cm, 2013 - 2016.
Twenty Imaginary Standing Stones (detail) — Pencil on paper, each 23 cm x 30 cm, 2013 - 2016.Twenty Imaginary Standing Stones (detail) — Pencil on paper, each 23 cm x 30 cm, 2013 - 2016.
Mere Pseud Atoll — Screenprint on metallic paper with meths and soap, 64 cm x 45 cm, 2016.Mere Pseud Atoll — Screenprint on metallic paper with meths and soap, 64 cm x 45 cm, 2016.
Installation ViewInstallation View
Installation ViewInstallation View

‘Before enlightenment, mountains are mountains and waters are waters. During the quest for enlightenment, mountains are not mountains and waters are not waters. After enlightenment, mountains are just mountains and waters are just waters.’

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